Oof. I, for one, really wanted to love director/writer Francis Ford Coppola's lifelong dream project about a dystopian future American city but Jack and I found it a self-indulgent mess, albeit with beautiful production design and cinematography. The talented cast, headed by Adam Driver and Giancarlo Esposito, works hard to make something of Coppola's disconnected script about the rivalry between Cesar [sic] and Cicero for control of "New Rome," representing New York with flying cars, etc.
Our favorite character was Aubrey Plaza's reporter named Wow Platinum, played with her reliable snark and cunning. My least favorite character was Nathalie Emmanuel's Julia Cicero, daughter of Esposito's character, who is inexplicably in love with and protective of her father's rival, despite his having no redeeming qualities. Hundreds of other actors, including Shia LaBeouf, Jon Voight, Laurence Fishburne, Kathryn Hunter, Coppola's sister Talia Shire, her son Jason Schwartzman, and Dustin Hoffman, do what they can under the circumstances .
Osvaldo Golijov's majestic soundtrack can be streamed on
Apple Music.
At first we were captivated by the aforementioned production design by Beth Mickle and Bradley Rubin and photography by Mihai Malaimare Jr. As an acrophobe, I noticed how many scenes involved heights and scaffolding. I thought of Batman's Gotham City, Blade Runner, and finally
Babylon, which was worse than this by far. We enjoyed shots of (or were they computer-generated?) the Chrysler building, a circus sequence, and an antique subway car with wicker benches, which kept us entertained from time to time but...
...at some point during its 2:18 running time I wondered if we should just turn it off, but Jack reminded me we had paid $19.99 to rent it so we should keep going!
My friend in Los Angeles, who knows a lot about movies, said "the story was so convoluted and characters so underdeveloped that it was hard to care about any of them," and that two groups of people walked out of the theatre before it was over.
Coppola and Golijov were last blogged for
Tetro, Driver for
Ferrari, Esposito for
Okja (despite dozens of TV and other credits since then), Plaza for
My Old Ass, LaBeouf for
Pieces of a Woman, Voight for
Four Christmases, Fishburne for
Ant-Man and the Wasp (after which he was briefly noted for
Death to 2020 and
Death to 2021 and not mentioned for 89 episodes of Black-ish), Hunter for
The Tragedy of Macbeth (and not mentioned as the diminutive madam in
Poor Things), Schwartzman for
Quiz Lady, Hoffman for
The Meyerowitz Stories, and Malaimare for
Jojo Rabbit.
Emmanuel has a number of credits, including 38 episodes of Game of Thrones, which I did not watch. Shire is best known for the Godfather and Rocky franchises and has dozens of other credits–we saw her most recently in two episodes of Grace and Frankie and one of Abbott Elementary. Mickle has worked on several movies I've liked, including
Sugar,
It's Kind of a Funny Story, and
Whiskey Tango Foxtrot, and has been nominated by her peers in the Art Directors Guild for her work on
Drive and more. Rubin designed three other features and five episodes of the pirate comedy Our Flag Means Death.
Rotten Tomatoes critics and audiences are fleeing for the suburbs with averages of 46 and 35%. We rented it on Apple TV on November 29.