I liked this sweet story of the titular five year old I-Jing, her 18 year old sister I-Ann, and their single mother Shu-Fen struggling to make ends meet at Taipei, Taiwan's night market. The character plot lines of this ensemble movie intertwine throughout. Nina Ye plays I-Jing, Shih-Yuan Ma is I-Ann, and Janet Tsai is Shu-Fen.
The title comes from I-Jing's grandfather's belief that left hands are evil, which happened in real life to director/co-writer Shih-Ching Tsou. Sean Baker co-wrote the script with her. No composer worked on it. Instead, I counted 29 songs in the credits.
This movie was shot entirely on an iPhone (as was Baker's Tangerine) in 2022. It has, as of now, 14 wins and 28 other nominations
Baker was last blogged for writing (and directing and editing) Anora. Ye, who was six when this was shot, has 19 credits so far, Ma has one other, and Tsai has over three dozen. This is Tsou's solo directorial debut, after co-directing and co-writing one feature with Baker, and she acted as producer on another four of his features.
Rotten Tomatoes' critics are right about this one with a 98% average, and its audiences are holding down one finger at 84. I downloaded it from Netflix and watched it with subtitles on an airplane on January 16.
