Tuesday, December 28, 2021

Belfast (2021)

For this must-see movie, director/writer Kenneth Branagh was inspired by his childhood during "The Troubles" in Northern Ireland, expertly blending terror and unrest with 1960s music, a young boy's optimism, a family's love for each other and their homeland, and magnificent black and white photography. With 120 nominations and 26 wins as of this writing, the movie is an Oscar darling. See my running list of selected nominations and awards.

Young Jude Hill couldn't be cuter as Buddy, while his parents (Caitriona Balfe and Jamie Dornan) and grandparents (Judi Dench and Ciaran Hinds) are strong but playful.

Branagh recruited fellow Belfastian (see this link about what to call them) Van Morrison for the soundtrack but I can't find it online for streaming. I messaged Focus Features to ask, but they didn't get back to me before I finished writing. Imdb has this list of songs and here's one song from the movie on Spotify.

Director of Photography Haris Zambarloukos' glorious pictures were shot in Belfast and County Antrim, Northern Ireland, and London.

Buddy and his family also love movies, and the website ScreenRant has compiled a fun list of "Movie Easter Eggs and Pop Culture References."  I advise you to read the link after seeing the movie.

There's a dedication on an end title card which will serve as a bonus for my fellow intrepid credits-watchers.

Branagh was last blogged for directing Murder on the Orient Express (as for his writing, he previously adapted six Shakespeare plays plus the opera The Magic Flute into movie scripts). Balfe was last in these pages for Ford v Ferrari, Dench and Zambarloukos for the aforementioned Murder on the Orient Express, and Hinds for The Disappearance of Eleanor Rigby. This is Morrison's seventh feature film score.

Rotten Tomatoes' critics aren't too troubled, averaging 86%, while its audiences are more optimistic at 91. We rented it on iTunes on December 14.

Zola (2020)

This crazy thriller/comedy is based on actual tweets by a waitress/stripper who traveled from Detroit to Florida with a woman she just met who promised lucrative work. It's not for everyone (rated R for sex, lots of nudity, violence, profanity, you name it), but Jack, Amy, and I found it hard to look away.

Taylour Paige is terrific in the title role as is Riley Keough who plays Stefani, the white girl with offensive Black mannerisms and accent. Also featured are Colman Domingo as a pimp and Nicholas Braun as Stefani's clueless boyfriend.

Originally James Franco was set to direct, produce, and star, but dropped out due to sexual harassment charges against him. Janicza Bravo then stepped in as director and co-writer with Jeremy O. Harris. 

Stripper A'Ziah (AKA Aziah AKA Zola) King wrote of her adventures in 148 tweets in 2015 and David Kushner, er, fleshed them out in a Rolling Stone article "Zola Tells All: The Real Story Behind the Greatest Stripper Saga Ever Tweeted" (here are the tweets and the full article).

The spooky music by Mica Levi is available on Apple Music and here's a list of songs.

Keough was last blogged for Logan Lucky, Domingo for Ma Rainey's Black Bottom (Paige was in it, too), and Levi for the Small Axe anthology. Braun is best known as the hapless cousin Greg on Succession. Bravo has directed a number of shorts and TV episodes and one other feature (she co-wrote that one, too) and this is Harris's feature writing debut.

Rotten Tomatoes's critics, averaging 88%, are warmer than its audiences at 68.

We streamed it on Showtime on December 18. Check out its nominations in my list of 2022 awards.

Tuesday, December 21, 2021

The Power of the Dog (2021)

Confounding yet beautiful, this story of wealthy Montana ranchers in the 1920s was hard for us to follow but so visually spectacular that we stayed with it. Benedict Cumberbatch and Jesse Plemons are brothers Phil and George, with Phil as grating and macho as George is kind and generous. Kirsten Dunst's (Plemons' real life fiancée and mother of their two children) Rose and Kodi Smit-McPhee's Gordon are multi-layered characters who keep us surprised. In cameos we see Thomasin McKenzie as a housemaid (I think) and Frances Conroy as the matriarch. The acting is all good.

Acclaimed New Zealand filmmaker Jane Campion directs and based her script on the 1967 novel by Thomas Savage. I guess my problem is with the pacing.

Jonny Greenwood's evocative soundtrack, which can be streamed on Apple Music, and Australian cinematographer Ari Wegner's sweeping landscapes kept us in our seats.

Cumberbatch was last blogged for 1917, Plemons for I'm Thinking of Ending Things, Dunst for The Beguiled, McKenzie for Jojo Rabbit, Conroy for Joker and No Pay, Nudity, Campion for Top of the Lake, and Greenwood for Spencer. This is not the first, er, rodeo for Smit-McPhee and Wegner. The latter has nominations and wins for her work on this and other projects.

Rotten Tomatoes' critics are howling with delight, averaging 95%, while its audiences' tails are stilled with a mere 61. Check out my running list of nominations and awards to how this one is doing so far (ten Critics Choice nominations as of this writing).

Jack and I streamed it on Netflix December 10.

King Richard (2021)

So good but too long at 2:24, this tells the uplifting story of tennis stars Venus and Serena Williams' father Richard and his determination to see his (willing) girls excel. Will Smith also excels in the title role as do Aunjanue Ellis as his wife and Saniyya Sidney and Demi Singleton as young Venus and Serena, respectively. Tony Goldwyn and Jon Bernthal as tennis pros are among the rest of huge cast.

Reinaldo Marcus Green directs from a script by Zach Baylin, which was featured on the 2018 Black List (each year the Black List promotes highly regarded unproduced screenplays).

The music by Kris Bowers can be streamed on Apple Music and elsewhere and here's a list of the songs.

Apparently Smith shared his $40m earnings (as both actor and producer) with the other actors!

Don't leave your seat before seeing bonus footage of the real Williams family.

Smith was last blogged for Bad Boys for Life, Ellis for The Birth of a Nation, Goldwyn for All I Wish, and Bernthal for Ford v Ferrari. Sidney has a number of credits including Fences and Hidden Figures and Singleton has one other feature and one series under her belt. Green is new to me and this is Baylin's writing debut.

Rotten Tomatoes' critics and audiences find little fault with this, averaging 91 and 98%, respectively. Award givers are considering this for quite a few accolades as well. This year's list of selected awards and nominations, sorted by title, is a work in progress that you can view at this link and on every page of the blog. I will add to it as info is released.

We watched it on Hulu December 7, blocking out three hours so we could take a break or two.

Friday, December 17, 2021

Here Today (2021)

Billy Crystal directed, co-wrote, and stars in this sweet story of the friendship between a comedy writer with early stage dementia and a flamboyant singer (Tiffany Haddish). Alan Zweibel co-wrote the screenplay based on his short story The Prize.

Crystal was last blogged for acting in Standing Up, Falling Down, Haddish for Yearly Departed after The Lego Movie 2: The Second Part. Crystal has directed and written two other features, Mr. Saturday Night (1992) and Forget Paris (1995) and directed the the TV movie 61* (2001), as well as many TV credits. 

Zweibel wrote for 109 episodes of Saturday Night Live from its inception in 1976, co-created and wrote for It's Garry Shandling's Show, and much more. Back in 2012, when writing about A Dangerous Method scored by Howard Shore, who played on SNL in the early days, I wrote: "I got to speak with author Alan Zweibel, one of the original Saturday Night Live writers, recently. I mentioned his 'Spud beer' spot (sorry, video isn't readily available but here's a still picture), from that 1975 season, Howard Shore and his "All-Nurse Band" (they were all men, wearing nurse dresses and caps for the bit) performed the song St. James Infirmary and Zweibel played a patient in a hospital gown. Zweibel told us was his very first appearance on TV, and he was impressed that I remembered. Jack said, 'That's just what she does.'"

Rotten Tomatoes' critics are gone today, averaging only 48% for this movie, but its audiences stayed  here averaging an enthusiastic 93. Jack and I vote somewhere between. We liked it.

We had no internet from the first few days of the month and got this on DVD from the library on December 4th when we were jonesing for a movie. At this time it's available to stream on Starz if you have that, for sale on Apple TV or Prime, and probably will be rentable soon. 

Monday, December 13, 2021

Spencer (2021)

This self-described "fable from a true tragedy" about the Princess of Wales is heartbreaking and beautiful. Kristen Stewart is getting Oscar buzz as the late Diana and it's well deserved, as we watch her struggle mightily over a few days in 1991 with anxiety, repression, and bulimia in her castle prison. The movie makes no pretense of being exactly truthful in its events or chronology. 

Apparently Stewart spent a lot of time perfecting her English accent, with help from the same dialect coach used by Emmy winner Emma Corrin, who played Diana in The Crown series.

Among the many in the supporting cast, Sally Hawkins' Maggie stands out. Maggie was inspired by a real palace employee who prefers to remain anonymous.

Pablo Larraín directs from a script by Steven Knight and the tension is palpable. Larraín, for one, is no stranger to fictionalized accounts of real people, as in Neruda and Jackie, the latter of which earned Natalie Portman her third Oscar nomination (she won one of them, for Black Swan). But I digress.

Jonny Greenwood's score (occasionally described in the captions as "discordant") can be streamed on Apple Music and elsewhere. Not at all discordant are the magnificent costumes by Jacqueline Durran, many of which recreate actual ensembles worn by Diana, and the spectacular photography by Claire Mathon, shot in Germany (Hesse, North Rhine-Westphalia, Berlin, Brandenberg) and Norfolk, England.

Stewart was last blogged for JT LeRoy, Hawkins for The Shape of Water, Larraín for Neruda, Knight for Allied, Greenwood for You Were Never Really Here, Durran for Little Women (she won the Oscar for it), and Mathon for Portrait of a Lady on Fire (she won the César Award, the French equivalent of the Oscars, for that).

Rotten Tomatoes' critics' average is only semi-royal at 83%, while its audiences are much more common with a scant 52. Jack and I enjoyed it when we rented it on iTunes on December 5.

Sunday, December 12, 2021

25 rules for movies and television

Rule #25 (first published December 12, 2021)
In a movie or TV show, someone walks into a house and immediately starts hollering the name of a family member or roommate. Often the family member or roommate is not there and often there's a bad reason why not. But what really gets me is, THAT'S SO RUDE! I would never do that yelling and would not be pleased if someone walked into my house and started yelling for me.

Rule #24 (October 20, 2020)
After a parent says good night to her/his kid in the kid's room, the parent will have one hand on the door when the kid will speak up about an important topic.

Rule #23 (May 29, 2019)
Jack has come up with this rule. Characters frequently just order "a beer" without specifying the brand. He would never do that! UPDATE: a friend told me that in some countries a bar might serve only one brand of beer.

Rule #22 (January 18, 2018)
Any scene of the Vietnam War will be accompanied by danceable pop music recognizable to most baby boomers and many others.

Rule #21 (June 21, 2017)
If a movie is set anywhere in France outside of Paris or Cannes, there will be a road lined with tall trees on both sides.

Rule #20 (June 21, 2017)
If a movie is set in London, we will see Big Ben, London Bridge, and/or Buckingham Palace and the guards.

Rule #19 (November 29, 2015)
In a movie about newspapers, there will be at least one shot of the giant printing presses rolling off all the papers. Jack and I love these soon-to-be nostalgic sequences.

Rule #18 (November 8, 2015)
Someone says a name and the other person immediately knows how to spell it. Today in one movie the other person wrote down "Conn," when to my ear it could easily have been Kahan, Kahn, Khan, Cahn, etc.

Rule #17 (July 19, 2015)
Someone who knocks on a hotel room door is not housekeeping nor room service, even if he or she pretends to be. Thanks to Jodi for the suggestion.

Rule #16 (September 2, 2014)
The only one to stay after class to talk to the teacher or professor is the star of the show. This courtesy of Jack, a veteran of the classroom.

Rule #15 (October 7, 2013)
When a villain is responsible for an explosion, the camera shows him/her in the foreground walking toward the camera with the explosion in the background, and the villain seldom reacts to the loud noise.

Rule #14 (September 3, 2012)
When a modern character jumps in the water, there is almost never any consequence to the cell phone that he or she is undoubtedly carrying.

Rule #13 (February 6, 2012)
As an ex-smoker I can tell when people have actually inhaled and when they're faking. They're usually faking. You can tell by the way the smoke drifts out of their mouths instead of being blown in plumes or rings (my friends loved making smoke rings--I didn't smoke long enough to get good at it). And then, 19 times out of twenty, when an onscreen smoker stubs a cigarette into an ashtray, s/he doesn't finish the job, leaving it smoldering. Another reason to be grateful we don't have smell-o-vision.

Rule #12 (November 21, 2011)
On screen, driving the wrong way on a crowded street, freeway, sidewalk, or even through a parade, causes honking, swerving, screaming, running, but almost never a quick crash or fatality. Please, please, PLEASE do not test my theory!

Rule #11 (October 14, 2011)
A character rings the doorbell or knocks, and someone is there within 5 seconds, no matter how big the house or apartment. If it's longer than that, no one is home. Jack's corollary: if it's longer than that, someone is inside dead or dying. Try counting the seconds next time you're watching something.

Rule #10 (November 28, 2010)
When a character is driving, s/he usually finds a parking place right in front of the destination. Also known as the Doris Day Parking Spot (thank you Dan, I had never heard of it put that way). The only time I ever heard my atheist mother pray was when she was driving us in New York City (which could cause some passengers to look to their own deities) in the 50's and 60's. Searching for a parking place, she would chant, "I'm God's perfect child," repeatedly, until gleefully finding an available spot.

Rule #9 (October 31, 2010)
Zooming in on a computer image usually delivers a sharp, recognizable picture, even though that seldom happens on my screen.

Rule #8 (May 21, 2010)
If a character is supposed to be unsophisticated, maybe even a hick, he or she will frequently hail from Ohio. In the Grey's Anatomy season finale last night, one character, an intern at Seattle Grace Hospital, said she was from Columbus (a bustling city and the state capital), and was the daughter of a teacher and a "corn farmer."

Rule #7 (May 4, 2010)
In a movie, turn on a computer and it boots up immediately. Copy a file and it zips by, blazing fast. Hook one gadget to another, and the correct cable is always there. Every now and then, it will take way too long instead, but usually, it's unrealistically cooperative.

Rule #6 (April 5, 2010)
When a character is watching a news item on TV that concerns him or her greatly, that character will usually switch off the TV before the news item is finished.

Rule #5 (March 23, 2010)
In a movie, the wait staff seldom clears the glasses or bottles from the table, leaving them lined up so that the audience can count them (to see how drunk the characters are by any given time).

Rule #4 (March 13, 2010)
In a movie, if a woman faints, she is probably pregnant. If she throws up, and didn't drink to excess just before, she is definitely pregnant.

Rule #3 (November 30, 2009)
Any movie located in New York City will have a shot of the lead actor walking on a crowded sidewalk, looking all the more crowded by the use of a zoom lens that makes the other people seem closer and reduces the depth of field, or sharpness around the actor.

Rule #2 (March 15, 2009)
If a film or a scene is set in Paris, the Eiffel Tower will be visible from at least one location.

Rule #1 (January 12, 2009)
A character who coughs in a movie will be dead by the beginning of the credits. Over 99% of the time.

The Humans (2021)

Don't expect an Amy Schumer comedy here, but Jack and I liked this excellent drama, where a family gathers for Thanksgiving in a run down New York apartment and demonstrates their fears and conflicts with only an occasional laugh. The spectacular ensemble is made up of Beanie Feldstein, Richard Jenkins, Jane Houdyshell, Schumer, June Squibb, and Steven Yeun. Playwright Stephen Karam adapted his play and directs this production, adding an eerie cinematic underlayer that's hard to describe.

The music by Nico Muhly is not available online but you can follow the following links on Apple Music to hear songs by Steve Reich, Billie Holiday, and Philip Glass that were used in the movie.

Feldstein was last blogged for Booksmart, Jenkins for Kajillionaire, Schumer for Snatched, Squibb for Soul, Yeun for Minari (Oscar-nominated for it), and Karam and Muhly for The Seagull, the former for writing the screenplay adaptation and the latter for composing its score.

I've seen but a handful of Houdyshell's screen roles, but it should be noted that she won a Tony for The Humans onstage, among her nominations for other shows. This is Karam's feature directing debut. The Humans won him the Tony Award for Best Play in 2016 it was also a 2016 Pulitzer Prize for Drama finalist.

Rotten Tomatoes' critics love this, averaging 92%. There's no audience rating, I'm guessing because not enough people have seen it?

We streamed it on Showtime on November 30. It's no secret that I prefer to watch a movie with captions. When we cued it up a few days before, I couldn't get the captions to work on our Apple TV. In the opening scene cast mutters in the hallway and I couldn't understand what they were saying. There are a lot of scenes shot from a distance and the dialogue is not very clear. After much cursing (by me--Jack is calmer), we watched Little Fish instead that day. It turns out that on Showtime you have to swipe down to activate the captions and they worked fine after that. Captions are very much needed for this movie and I recommend you use them.

Little Fish (2020)

In hindsight, I appreciate more and more this drama about gaining and losing love and memories. A dangerous, contagious illness sweeps the world, causing patients to lose their memories. It's based on a 2011 short story by Aja Gabel (you can read it here) and adapted and shot in the spring of 2019, entirely before COVID-19.

Olivia Cooke stars (and executive produced) and her love interest is played by Jack O'Connell. Their close friends are Soko and Raul Castillo and all the acting is quite good but it's told somewhat out of sync. Once you know that, it makes more sense.

Chad Hartigan directs from the screen adaptation by Mattson Tomlin. I prefer the French and Portuguese titles, which translate to "If I Forget You...I Love You" and "Memories of a Love," respectively. There is a little fish but it's, well, little.

Shot in Seattle, Vancouver, and other British Columbia locations including "the traditional, ancestral, and unceded territory of the Coast Salish, Tsleil-Waututh, and Musqueam nations," it is set in Canada, although Cooke speaks with her real British accent and O'Connell, though he is Irish, speaks with an accent defined in imdb as Canadian.

The eerie soundtrack by Keegan DeWitt can be streamed on Apple Music and elsewhere.

The is Cooke's third (COVID) pandemic release, and she was blogged for the other two: Pixie and Sound of Metal. O'Connell was last in these pages for Money Monster, Castillo for We the Animals, Hartigan for Morris from America, and DeWitt for Her Smell. Soko (a musician née Stephanie Sokolinski--she performs onscreen and off) provided one of the many voices in Her, though I didn't mention it, and this is Tomlin's third screenplay.

Rotten Tomatoes' critics aren't forgetting this, averaging 91% and its audiences aren't far behind at 80. We streamed it on Hulu on November 25.

Note, I just read the Gable short story (link above) for the first time. It has similarities and many differences with the movie. If anyone had asked me, I would say that the screenplay was inspired by the story, rather than based on it.