Left-Handed Girl (左撇子女孩 - Zuopiezi nuhai - 2025)

I liked this sweet story of the titular five year old I-Jing, her 18 year old sister I-Ann, and their single mother Shu-Fen struggling to make ends meet at Taipei, Taiwan's night market. The character plot lines of this ensemble movie intertwine throughout. Nina Ye plays I-Jing, Shih-Yuan Ma is I-Ann, and Janet Tsai is Shu-Fen.

The title comes from I-Jing's grandfather's belief that left hands are evil, which happened in real life to director/co-writer Shih-Ching Tsou. Sean Baker co-wrote the script with her. No composer worked on it. Instead, I counted 29 songs in the credits.

This movie was shot entirely on an iPhone (as was Baker's Tangerine) in 2022. It has, as of now, 14 wins and 28 other nominations

Baker was last blogged for writing (and directing and editing) Anora. Ye, who was six when this was shot, has 19 credits so far, Ma has one other, and Tsai has over three dozen. This is Tsou's solo directorial debut, after co-directing and co-writing one feature with Baker, and she acted as producer on another four of his features.

Rotten Tomatoes' critics are right about this one with a 98% average, and its audiences are holding down one finger at 84. I downloaded it from Netflix and watched it with subtitles on an airplane on January 16.

One Battle After Another (2025)

Jack and I liked this way-too-long (161 minutes) but very entertaining story of American leftist activists clashing with "the man." Four acting Oscar nominations went to Leonardo DiCaprio as Pat, Teyana Taylor as Perfidia, Benicio Del Toro as Sensei Sergio, and Sean Penn as Lockjaw (he's so good as a villain). The names Perfidia and Lockjaw do make me chuckle. The enormous cast also includes Chase Infiniti and Regina Hall in a part written just for her.

Three more Oscar nominations went to Paul Thomas Anderson: Best Picture, Best Director, and Best Adapted Screenplay, loosely based on Thomas Pynchon's 1990 novel Vineland. 

Jonny Greenwood got a nod for composing the original score, streamable on Apple Music. Here's a list of 

songs in the movie. And Michael Bauman is nominated for cinematography here.

The other five Oscar nominations are for casting, sound, production design, and editing. And you should know that, as of this posting, the movie has 204 wins and 424 other nominations. This long list of trivia is fascinating if you're so inclined.

DiCaprio was last blogged for Killers of the Flower Moon, Penn, Anderson, and Greenwood for Licorice Pizza, Del Toro for The French Dispatch, Taylor for A Thousand and One, and Hall for Honk for Jesus. Save Your Soul. Bauman shot Licorice Pizza but I failed to mention him in that post. Pynchon's novel Inherent Vice was also adapted by Anderson into a 2014 movie of the same name.

Rotten Tomatoes' critics aren't ready for a truce with a 94% average, while its audiences are pretty feisty at 85. We streamed it on January 6 on HBO with our subscription. You can also watch it on big screens in many locations or rent it.

The Wizard of Oz (1939) at The Sphere (2026) in Las Vegas

We loved this experience! Of course Jack and I have seen the original many times--he more than I. He said that, unlike so many things, this actually lives up to the hype. The production is computer enhanced to take advantage of the 270° screen: over our heads and around both sides. Google told us the best section was in the 300s so that's where we sat. 

As we took our seats (no late seating allowed) we heard a recording of an orchestra warming up. The show starts, as the original does, with a rectangle in front of us containing Bert Lahr as the Cowardly Lion roaring instead of the MGM lion. And then we all gasped as the viewing area opened up.

The seats shake from time to time and little things drop onto  the audience but I think I'll let you be surprised what and when.

Beautiful closeups of Judy Garland as Dorothy, Ray Bolger as the Scarecrow, and Jack Haley as the Tin Man, as well as scary ones of the dreadful Wicked Witch (Margaret Hamilton). Trivia is that actor Buddy Ebsen was cast as the Tin Man but had to drop out because he was allergic to the silver makeup.

The opening has a dedication written at the movie's release, referring to the book's publication in 1900 ("For nearly forty years..."). Here's a photo I took from my seat, which doesn't do justice to the extreme wide angle of the screen.

The closing credits take up lots of space when the computer acknowledgements begin. Here's some other credit-related trivia from the original movie.

Be aware that it has been edited. The Sphere show is one hour and fifteen minutes long, whereas the original movie is 1:41, so some of our favorite bits are not included. Still totally worth it, even if, like us, you're not a Vegas person. We saw it on January 15 and its run has been extended, alternating with pop music concerts at the venue. And I learned today that another Sphere is planned for the Maryland/DC area.

Bad Shabbos (2024)

I got a plenty of laughs with this screwball comedy about a Jewish man introducing his non-Jewish fiancee and her parents to his family on their sacred Friday evening dinner AKA shabbos at their New York apartment.

The cast includes Jon Bass and Meghan Leathers as the happy couple, Kyra Sedgwick and David Paymer as his parents, Milana Vayntrub as his sister, Theo Taplitz as his brother, and Cliff "Method Man" Smith as the doorman Jordan. In movies, bookending is a short scene in the beginning which then continues at the conclusion. Josh Mostel and Stephen Singer make cameos in the bookends.

Daniel Robbins directs from his script co-written by Zack Weiner. Eli Keszler's score is not available to stream.

Bass was blogged for Sword of Trust, Sedgwick for The Edge of Seventeen, Method Man for Paterson, and Mostel for State of Play. I've seen a few things Leathers and Singer have been in but don't remember them. Some of my favorites of Paymer's long career are City Slickers (1991), Mr. Saturday Night (1992) (supporting actor Oscar nomination), nine episodes of The Good Wife (2009-16), and six of The Marvelous Mrs. Maisel (2017-23).

Robbins, Weiner, and Keszler are not known to me but the latter played percussion on Uncut Gems.

A couple of my friends who saw this at a Jewish Film Festival did not like it, but Rotten Tomatoes' critics and audiences are keeping the candles lit with averages of 84 and 82%. I downloaded it from Netflix to watch on a long flight on January 14.