One of Them Days (2025)

Jack and I enjoyed this romp about Los Angeles roommates in dire need of rent money. Musicians Keke Palmer and SZA star as Dreux (pronounced Drew) and Alyssa, respectively, heading the big cast that includes Katt Williams, Vanessa Bell Calloway, Lil Rel Howery, and Maude Apatow.

Lawrence Lamont directs from Syreeta Singleton's screenplay, and Chanda Dancy's soundtrack is available on Apple Music. In addition, there are lots of fun songs, listed here, including performances by Palmer and Madison McFerrin..

Howery was last blogged for We Grown Now and Apatow for The King of Staten Island.

Palmer has loads of credits as a singer and actress, but the only ones I've seen are four episodes of Masters of Sex (2014), and SZA makes her film acting debut after dozens of music videos and an Oscar nomination for composing a song featured in Black Panther. Comedian Williams is no stranger to screens big and small. Calloway's four decade resume includes Coming to America (1988) and its 2017 sequel, Southside with You as Michelle Obama's mother Marian, 23 episodes of Shameless, and eight of This Is Us.

This is Lamont's feature debut after directing a handful of music videos and one TV series. It's also Singleton's feature debut, but she wrote for the same series, was executive story on twenty episodes of Insecure, and was staff writer for the animated series Central Park. Dancy is new to me, despite her dozens of projects. 

Rotten Tomatoes' critics are loving this day, averaging 94% and its audiences are close at 89. We watched it on Netflix on May 10.

Orangutan (2026)

Another spectacular Disneynature Earth Day release, this documentary follows various families of the Southeast Asian mammals with humor and poignancy. Josh Gad narrates this time around, working with co-directors Mark Linfield and Vanessa Berlowitz.

I'm streaming the sweet original score by Nitin Sawhney on Apple Music, but I must mention the inclusion of I Wanna Be Like You from The Jungle Book (1967) and a few other pop songs.

Director of Photography Zaid Abdulah leads a talented crew to give us 100% live cinematography with no computer generated images.

Gad was last blogged for Marshall and Linfield, Berlowitz, and Sawhney for the Disneynature doc Tiger. Abdulah shot one other orangutan documentary, not affiliated with Disney.

My affection for this series led me to keep a running list. All recommended. There apparently aren't enough reviews on Rotten Tomaties to give it a rating so just watch it when you or your kids or grandkids are in the mood.

We saw it April 24, two days after its Earth Day release, streaming on the Disney channel. Remember, there's no G at the end of the word!

Downton Abbey: The Grand Finale (2025)

Fans of the TV series, as I am, will enjoy this sentimental franchise finish, taking place in 1930, for its familiar cast and beautiful production values, as I did. Almost all of the ensemble is back, including Michelle Dockery, Laura Carmichael, Hugh Bonneville, Elizabeth McGovern, and Paul Giamatti in the family, and Jim Carter, Brendan Coyle, Joanne Froggatt, Lesley Nicol, Sophie McShera as servants, and many more. A few new actors appear as well. The movie is dedicated to Maggie Smith, who died a year and a half ago at 89.

Director Simon Curtis again takes the helm from the script by series creator/writer Julian Fellowes. The original score by John Lunn is available on Apple Music. There are some fun scenes with Arty Froushan as Noel Coward. The credits say that the singing voice is actually Coward's. And the luscious cinematography, production design, and wardrobe add to the experience, thanks to Ben Smithard, Donal Woods, and Anna Robbins, respectively.

Dockery was last blogged for The Sense of an Ending, Carmichael for A United Kingdom, Bonneville for Viceroy's House, McGovern for Kick-Ass, Giamatti for The Holdovers, Carter for The Good Liar, Coyle for Mary Queen of Scots, McShera for Cinderella, Curtis for Goodbye Christopher Robin, and Fellowes, Lunn, Smithard, Woods, and Robbins for the 2019 movie Downton Abbey. Froggatt and Nicol have no other mentions in these pages besides the cast list in the 2019 version and Froushan is new to me. Full disclosure, there was a Downton Abbey movie in 2022 that I did not see, but I did watch all 52 episodes on PBS' Masterpiece Theatre.

Rotten Tomatoes' critics and audiences are down with this movie, averaging 91 and 95%, respectively. I streamed it on a plane on March 27 and it is currently available on Netflix.

Good Luck, Have Fun, Don't Die (2025)

This unhinged science fiction comedy had us scratching our heads a little–Jack said it’s destined to become a cult classic–but we kept at it. Sam Rockwell's character, a suicide bomber claiming to be from the future, appears in a Los Angeles diner in order to draft the customers on a mission. Rockwell is a terrific actor, as is the supporting cast, which includes Haley Lu Richardson, Zazie Beetz, Michael Peña, and Juno Temple.

Directed by Gore Verbinski from Matthew Robinson's script, it probably isn't meant for our boomer demographic, but that seldom stops us. I am enjoying Geoff Zanelli's soundtrack on Apple Music, including a snappy title track, as I type.

Rockwell was last blogged for See How They Run, Richardson for Love at First Sight, Beetz (we loved her in 30 episodes of Atlanta and other TV) for Nine Days, Peña for Ant-Man and the Wasp, Temple for Roofman (and 34 episodes of Ted Lasso), Verbinski for The Lone Ranger, and Zanelli for House of D, a 2004 release we watched in 2020 on our very last Netflix hard copy DVD (he has scored dozens of projects since then). This is Robinson's fifth produced feature screenplay.

Rotten Tomatoes' critics and audiences are having a bit of fun with this, averaging 81 and 85%. Overcome by our very, very long list of movies, we went off-list on April 17 from a Apple TV recommendation and rented it on April 17.

F1: The Movie (2025)

Jack and I found this story of a race car driver coming out of retirement entertaining but not, in our opinion, a Best Picture, though nominated by the Academy. Plenty of star power leads the glossy action picture, with Brad Pitt in the lead and support coming from Javier Bardem, Damson Idris, Kerry Condon, and Tobias Menzies, among many.

Director Joseph Kosinski keeps it moving, though not fast enough, because it's just over two and a half hours long, from the script by Ehren Kruger. The prolific composer Hans Zimmer's exciting original score can be streamed on Apple Music, and that platform also has an album of fun songs.

Shout out to cinematographer Claudio Miranda. The first five of the many trivia items on imdb are fascinating (I didn't go further), some of which go into special photography techniques.

The movie's 31 wins include the Oscar for Best Sound and its 129 other nominations include Oscars for Best Picture, Visual Effects, and Editing, plus Miranda's nomination by his peers in the American Society of Cinematographers.

Pitt was last blogged for Babylon, Bardem for The Good Boss, Condon for Train Dreams, Menzies for You Hurt My Feelings, Kosinski, Kruger, and Zimmer for Top Gun: Maverick, and Miranda for Nyad. This is Idris's seventh feature but he is new to me.

33 producers lands this a spot on my Producers Plethora Prize list, though the current winner is Ferrari, coincidentally also about car racing, at 53.

Rotten Tomatoes' critics are easing up at 82% but its audiences are full throttle at 97% approval. Jack watched it a week or two before I did on March 13 on Apple TV.

Frankenstein (2025)

I did see almost all of the Oscar nominees before the awards but have lagged in putting fingers to keyboard. That said, Jack and I were impressed with this powerful and technically complex story of the scientist and the creature he brings to life. Jacob Elordi was nominated for the Best Supporting Actor for playing The Creature, with terrific performances by Oscar Isaac as the scientist Victor Frankenstein, Christoph Waltz as a merchant named Harlander, and Mia Goth in dual roles as Frankenstein's mother and Harlander's niece.

Guillermo del Toro directs from the script he adapted from the original 1818 Mary Shelley novel and was Oscar-nominated for Adapted Screenplay. Wikipedia says that since 1915 there are 480 feature films, 243 short films, 103 TV series, and 413 TV episodes based on that book.

Streaming Alexandre Desplat's Oscar nominated original score on Apple Music is bringing back the mood, since we watched this over seven weeks ago.

Among the movie's overall 89 wins are the Best Makeup Oscar by Mike Hill (there were frequently ten-hour makeup sessions for Elordi), the Production Design Oscar by Tamara Deverell, and the Costume Design Oscar by Kate Hawley. Its 260 other nominations, besides the three named above, include Oscars for Best Picture, Best Cinematography by Dan Lausten, and sound.

I did make a note at the time about realistic wolf puppets. Watch for them! Imdb has a long list of trivia items for those with the time and fascination to read it.

Elordi was last blogged for Priscilla, Isaac for Dune, Waltz for Downsizing, Goth for Emma., Del Toro and Deverell for Nightmare Alley, Desplat for The Piano Lesson, and Lausten for The Color Purple

Both Hill and Hawley have won their first Oscars for this and are making their first appearance in these pages. Hill has done makeup and prosthetics for del Toro's pictures at least twice before, on The Shape of Water and Nightmare Alley. Hawley's nine other features include The Edge of Tomorrow.

Rotten Tomatoes' critics, with an 85% average, aren't quite as animated as their audience's 94. We streamed it on Netflix on March 10.

Blue Moon (2025)

As a lifelong fan of Rodgers and Hart's music (see below), I was predisposed to like this story of lyricist Lorenz Hart on one of the last nights of his life. Jack and I both did. Ethan Hawke was Oscar-nominated for playing Hart and is ably supported by Margaret Qualley as his young friend Elizabeth Weiland, Bobby Cannavale as the bartender, and Andrew Scott as Richard Rodgers.

Richard Linklater directs from the script by Robert Kaplow, who was in turn inspired by the letters of Hart and Weiland. The sparkling dialogue is worth the price of admission (your Netflix subscription and a scant hour and 40 minutes). If you know any of Hart's lyrics, you will understand why the dialogue had to be clever to make it believable. The movie takes place on March 31, 1943--the opening night of the Broadway musical Oklahoma, which Hart's former partner Rodgers composed with his new lyricist Oscar Hammerstein.

Graham Reynolds' score on Apple Music includes many piano solos of Hart's tunes. To elaborate on my fandom, I have in my possession two hardcover Rodgers and Hart songbooks. The first was given to me when I was in elementary school so I could play the chords and sing along to songs from our family's oft-played album Ella Fitzgerald Sings the Rodgers and Hart Songbook. The second was in my stepmother's belongings when she died in 1979, and is autographed by Rodgers. You, too, can buy one from this link, with a dust cover that I don't remember ever having.

The movie earned 17 wins and 74 other nominations, including the two above. You'll notice that Hawke remains seated throughout most of the movie. That's because Hart was "barely five feet tall."

Hawke was last blogged for Raymond & Ray, Qualley for The Substance, Cannavale for Ezra, Scott for Wake Up Dead Man: A Knives Out Mystery, Linklater for Nouvelle Vague, and Reynolds for Hit Man. I briefly mentioned Kaplow for the source material for Me and Orson Welles, his only other imdb credit.

Rotten Tomatoes' critics are full with an 89% average, while its critics are waning slightly at 76. We streamed it on Netflix on March 11.